Patricia Vonne at The Continental Club Recap

International musician, actress, producer and animator, Patricia Vonne, shook and rattled Austin’s Continental Club Saturday night with her bilingual blend of Texas border rock and theatrical stage prowess. Through her vibrant musical style, the San Antonio bandolera honors her rich cultural heritage by fusing traditional Anglo rock with the centuries-old Latino flavor of Flamenco, Conjunto and Tejano culminating in a delicious, celebratory musical menudo.

The statuesque Tejana kicked off her set Saturday with speedy rocker “The Cat’s in the Doghouse” before leading into her inspirational “Top of The Mountain.” It wasn’t long before Vonne broke out her signature instrument, the castanets, for the romantic Spanish ballad and Once Upon A Time in Mexico favorite, “Traeme Paz.” Vonne cranked up the theatrics with the riff-rippin’ and high-kickin’ “City is Alive” before seducing the crowd with the Flamenco dance of “Fuente Vaqueros.” She celebrated the independent spirit of women with “Viva Bandolera,” the title track from her recent Spanish compilation album and hit fan-favorite classics “Rattle My Cage”, “Severina” and the Tarantino-esque, Stratocaster surfing “Mexicali de Chispa” before riding out with Hell on wheels in “Rebel Bride” from her highly acclaimed Guitars and Castanets.

Vonne’s entire set at the Continental Club was absolutely fantastico. She is currently hard at work recording her seventh studio album with producers Rick Del Castillo and Michael Ramos. The album is due out in Spring 2018 and will feature co-writes with Alejandro Escovedo, Joe King Carrasco & Willie Nile, among others.

Patricia Vonne at the Continental Club

TR Patricia Vonne-1TR Patricia Vonne-2TR Patricia Vonne-7TR Patricia Vonne-3TR Patricia Vonne-4TR Patricia Vonne-5TR Patricia Vonne-6TR Patricia Vonne-8

 

Photos by: Mindi Westhoff of Time and Place Photography

Jenny & The Mexicats Showcase Mar Abierto at Austin’s Continental Club

It’s been a momentous two years since Jenny and The Mexicats released their highly acclaimed second album, OME. The multicultural quartet consisting of British frontwoman and trumpeter Jenny Ball, Mexican flamenco guitarist Alfonso Acosta “Pantera,” bassist Luis Díaz “Icho” and Spanish Cajon player David Gonzalez has spent the period since touring the globe and rocking crowds with their bilingual blend of rockabilly, jazz, flamenco and cumbia. So, when it came time to record their third independent album, Mar Abierto, the band took a well-deserved break from touring to reunite once again with producer Juan Garcia Alvarez at Valenzo Studios in Mexico City.

All of the band members agree the constant touring helped them mature as musicians, and felt like getting back to the studio was a reward for all their hard work. “It’s like a prize after so much time on the road to get to go back in the studio and create something new, something up to date and something that represents us 100%,” admits Jenny.

Recording the conceptual Mar Abierto presented a new challenge for the polyrhythmic Mexicats. “We’ve realized that with the change in the music industry, people pay attention to singles, focusing on one or two songs,” states the vivacious frontwoman. “We are all fans of hearing an album from start to finish, where one song ends and you start humming the next track before it even begins. We have found a way to connect all the songs on this record, with a running theme throughout.”

Mar Abierto’s fluidity springs from the guitar-driven opening of ‘La Primera Despedida’ and flows unhindered through the celebratory finale of ‘Agradecimientos’. The album offers an eclectic mixture of seven Spanish and six English compositions each diverse as the next in genre and resonance. The Anglo melodies of ‘Boxes’ and ‘Born in the City’ kick with uplifting pop and jazzy trumpeting while ‘Why Why’ represents the band’s first foray into English layered cumbia. Jenny has reached a confident maturity evident within the isolated vocals of ‘Lion’ and ‘Under My Skin’ and shares the harmonious spotlight during Spanish duets ‘Aprendimos’ and ‘Tanto Tiempo’. The saucy merengue of ‘La Diabla’ and reggae infused ‘Amplefire’ add extra spice to The Mexicats genre-bending catalog while the speedy flamenco riffs of ‘Ausencia’ and folky ‘Fantasmas’ should soothe fans with traditional Mexicats flavor.

Mar Abierto is the band’s most adventurous album to date incorporating a conceptual theme within its unique diversity. As much as Jenny and The Mexicats have enjoyed their time in the studio, they’re excited to present this new album to their fans. The band is currently touring America showcasing Mar Abierto to their adoring fans. Track Rambler had the luxury of witnessing Jenny and The Mexicats deliver a sensational performance at Austin’s Continental Club. Check out the spectacular images below captured by photographer Demetrius Judkins.

Jenny and The Mexicats video for ‘La Diabla’

http://www.jennyandmexicats.com/store/

https://www.facebook.com/jennyandthemexicatsmusic/

Twitter: https://twitter.com/JennyandMexicat

 

Photos by: Demetrius Judkins

http://www.wolfspiritofthesun.com

http://www.instagram.com/wolfspiritofthesun/