David Messier’s Time Bomb Goes Off at One-2-One

The multi-talented, Austin based artist David Messier celebrated the release of his sophomore album, Time Bomb, Saturday night by performing the album in its entirety at One-2-One Bar in south Austin. A Trustee of the Recording Academy, Messier, is an esteemed music industry leader, accomplished producer, entrepreneur, singer and songwriter. Austin Chronicle has hailed Messier as an “expanse of talent and ideas” and KUTX said, “Messier is a hurricane force of music.” With all of his successful moments, he likes to live by the ethos that life is always happening in front of you, and doesn’t often look back. So, when it came time to write the album, he uncharacteristically and quite unexpectedly, captured his most reflective moments. Time Bomb is one of Messier’s most honest introspective creations to date and provides sharp and witty commentary through his upbeat, good-natured bravado.

“I don’t have much of a rearview mirror. I didn’t realize it at the time, but this is the most self-reflective record I’ve made.” — David Messier

He will be supporting his new record with performances around central Texas in listening rooms near you. Be sure to follow him here, and watch for his upcoming performances here.


Photos by: J. Alan Love @jalanlovephotography

David Messier’s Birthday Bash at The Townsend

The massive pride of Harley Davidsons roaring through downtown Austin could be heard for miles when the annual Republic of Texas Biker Rally ascended upon the Capital Friday night. As spectators lined the banks of Congress Ave. to experience the largest turnstile biker rally in the US, a much more intimate evening was unfolding inside The Townsend.

A calm and relaxed David Messier was celebrating his 39th birthday bash with a few of his closest friends at Austin’s premier cocktail bar and performance venue. The musical renaissance man had plenty to celebrate on this particular birthday as just 24 hours earlier, Mayor Steve Adler had declared June 8th David Messier Day. Frosty pint in hand, the singer-songwriter mingled amongst the crowd before his show, half-jokingly admitting, ‘If I had realized it was ROT Rally weekend, I may have charged a little more for these tickets.”

Messier allowed the sold-out crowd a few extra minutes to battle the parade outside before he took the stage with his backing five-piece. Shortly after 9:00pm the purring engines on The Townsend’s front porch were replaced by a steady kick drum reverberating throughout the venue. The crowd immediately soaked into the show as Messier kicked-off his bash with Waiting for Eldridge hit carousel ride ‘Everything Breaks My Heart’. Messier’s carnival then voyaged into the subtle psychedelia of ‘Down’ and by the third song it was time for the lively frontman to show off his multi-instrumental repertoire and strap up his acoustic for a sweeping version of ‘Whispering’. The rattling hand percussion and squealing guitar stole the show on ‘Change’ before the crowd threw in a few ‘Happy Birthday’ chants to the man of the hour. The Boston-born Messier strutted a little Opry swagger on ‘Don’t Say Nothing’ and had the crowd swinging in unison with ‘Shoot To Kill’ before officially turning the party out with spooky fan favorite ‘Franklin’s Key’. Messier got nostalgic and channeled his inner-Jim Henson with a funky rendition of Dr. Teeth and The Electric Mayhem’s narrative of heavy-duty proportions ‘Can You Picture That’ and even debuted a chivalrous teaser from his future ‘album with no name’.

Messier put on a helluva show Friday night showcasing his latest album Waiting For Eldridge along with a few old favorites. He’s a musician’s musician with a magnetic stage presence that can captivate a crowd of any size with his personable showmanship and arsenal of rock, jazz, Americana and funk. He’s one cool cat with a huge bag of talent well worth the price of admission. We agree with Messier, he probably should have charged a few extra bucks for the show.

Photographer J. Alan Love helped wish Messier a happy birthday with a few shots from the bash below.





Photos by: J. Alan Love 



Article by: Doug Leach

Austin Mayor Declares June 8th ‘David Messier Day’

Austin Mayor Steve Adler will designate June 8th to be “David Messier Day” in a ceremony at City Hall. On June 9th, Messier’s birthday, The Townsend will welcome the multi-talented artist back to its stage to celebrate with a live performance. Tickets can be purchased for $10 in advance and $15 at the door. For more information please visit https://www.eventbrite.com/o/the-townsend-8471342185.

David Messier is a multi-instrumental musician, songwriter, producer, owner of Austin-based recording studio Same Sky Productions and the President of the Texas Grammy Chapter. After an 8-year recording hiatus, the former Papermoon frontman released his debut solo album, Waiting For Eldridge, in 2016 to wide critical acclaim from KUTX, Austin Chronicle and Bluegrass Situation. Waiting For Eldridge is a culmination of years of playing guitar, drums, piano, songwriting and producing music. For Messier, the album represents the private radio station that constantly plays in his head.

Messier recently released two of three brand new videos from the album with “Everything Breaks My Heart,” “Franklin’s Keys” and “Keeping Up With Fashion” to follow on June 5th. “Everything Breaks My Heart” is a track that pushed Messier into new territory. He recalls, “This is the moment where I broke some new ground…I really heard something new.” The haunting tune swells and wallops with swinging carnival keys and Messier’s gritty distorted vocals turning at the chorus as he asks “Why in the world should I calm down? / I should have learned by now / Everything breaks my heart.

Sticking with the haunting theme, “Franklin’s Key’ is a joyously spooky party track featuring tip-toe marimba taps and quick horn blasts. “In ‘Franklin’s Key’ everything is speaking — not just the vocals. The saw, the bari sax, the percussion … it’s all ‘talking. When I close my eyes and listen to this track, I’m suddenly in a haunted house circa 1940 — the shutters cracking in the wind, the creaks of wooden floorboards — and when I pinch my eyes even tighter, I see cartoon skeletons playing percussion on rib bones, creepy cats with hollow eyes, and creatures of the night holding seance dance parties that make me want to join the fun and turn that party out,” Messier tells Bluegrass Situation.